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LEADER 00000nam a2200421 a 4500 
001    000021349298 
005    20011106202711.0 
008    000223t20002000nhua     b    001 0 eng   
010    00023696 
019 1  21349298 
020    0819564109|q(cl : alk. paper) 
020    0819564117|q(pa : alk. paper) 
035    .b27585700 
040    QU|beng|dDLC|dVU 
050 00 ML2075|b.M875 2000 
082 00 781.5/42|221 
245 00 Music and cinema /|cedited by James Buhler, Caryl Flinn, 
       and David Neumeyer. 
264  1 Hanover, NH :|bUniversity Press of New England,|c[2000] 
264  4 |c©2000 
300    vi, 397 pages :|billustrations ;|c23 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Music/culture. 
504    Includes bibliographical references and index. 
505 00 |tStar wars, music, and myth /|rJames Buhler --|tRichard 
       Wagner and the fantasy of cinematic unity:|gthe|tIdea of 
       the Gesamtkunstwerk in the history and theory of film 
       music /|rScott D. Paulin --|tLeitmotifs and musical 
       reference in the classical film score /|rJustin London --
       |tSonglines: alternative journeys in contemporary european
       cinema /|rWendy Everett --|tStrategies of remembrance:
       |tMusic and history in the new German cinema /|rCaryl 
       Flinn --|tKansas City dreamin':|tRobert Altman's jazz 
       history lesson /|rKrin Gabbard --|tMusic, drama, Warner 
       Brothers: the cases of Casablanca and The Maltese falcon /
       |rMartin Marks --|tTonal design and the aesthetic of 
       pastiche in Herert Stothart's Maytime /|rRonald Rodman --
       |tFinding release: "Storm Clouds" and The Man who knew too
       much /|rMurray Pomerance --|tThat money-making "Moon 
       River" sound:|tThematic organization and orchestration in 
       the film music of Henry Mancini /|rJeff Smith -- 
       Ultrasound:|gthe|tFeminine in the age of mechanical 
       reproduction /|rMichelle Lekas --|tDesigning women:|tArt 
       deco, the musical, and the female body /|rLucy Fischer --
       |tDisciplining Josephine Baker:|tGender, race, and the 
       limits of disciplinarity /|rKathryn Kalinak --|tInventing 
       the cinema soundtrack:|tHollywood's multiplane sound 
       system /|rRick Altman, with McGraw Jones and Sonia Tatroe 
       --|tFilm music: perspectives from cognitive psychology /
       |rAnnabel J. Cohen. 
505 00 |tLeitmotif: new debates and questions --|tBeyond 
       classical film music --|tStyle and practice in classical 
       film music --|tGender, ethnicity, identity --
       |tMethodological possibilities. 
520    Music and Cinema brings together leading scholars in 
       musicology, music theory, film studies, and cultural 
       studies to explore the importance of music in the 
       cinematic construction of ideologies. The 15 essays 
       include "Songlines: Alternative Journeys in Contemporary 
       European Cinema" by Wendy Everett; "Strategies of 
       Remembrance: Music and History in the New German Cinema" 
       by Caryl Flinn; "Designing Women: Art Deco, the Musical, 
       and the Female Body" by Lucy Fischer; "Kansas City 
       Dreamin': Robert Altman's Jazz History Lesson" by Krin 
       Gabbard; "Disciplining Josephine Baker: Gender, Race, and 
       the Limits of Disciplinarity" by Kathryn Kalinak; "Finding
       Release: Storm Clouds and The Man Who Knew Too Much" by 
       Murray Pomerance, and many more. 
650  0 Motion picture music|xHistory and criticism.|0http:// 
650  0 Musical films|xHistory and criticism.|0
700 1  Neumeyer, David.|0
700 1  Flinn, Caryl.|0
700 1  Buhler, James,|d1964-|0
830  0 Music/culture.|0
907    .b27585700 
990    MARCIVE MELB 201906 
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