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LEADER 00000cam a2200517 i 4500 
001    57216151 
008    150611t20162016caua     b    001 0 eng d 
019 1  57216151 
020    9781606064658 
020    1606064657 
035    (OCoLC)911019953 
035    .b60670757 
039    CAVAL 
040    ERASA|beng|erda|cERASA|dYDXCP|dBTCTA|dJPG|dOCLCA|dBDX
       |dNhCcYBP|dVU 
042    pcc 
043    n-us-ca 
050  4 N6512.5.M5|bR58 2016 
082 04 709.794/9409046|223 
100 1  Rivenc, Rachel,|0http://id.loc.gov/authorities/names/
       n2011041114|eauthor. 
245 10 Made in Los Angeles :|bmaterials, processes, and the birth
       of West Coast Minimalism /|cRachel Rivenc. 
264  1 Los Angeles :|bGetty Conservation Institute,|c[2016] 
264  4 |c©2016. 
300    xiii, 193 pages :|billustrations (some color) ;|c26 cm 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 181-187) and 
       index. 
520    "In the 1960s, a group of Los Angeles artists fashioned a 
       body of work that has come to be known as the "LA Look" or
       West Coast Minimalism. Its distinct aesthetic is 
       characterized by clean lines, simple shapes, and pristine 
       reflective or translucent surfaces, and often by the use 
       of bright, seductive colors. This volume, the first to 
       provide a detailed study of the role of materials and 
       processes in the advent of these truly indigenous Los 
       Angeles art forms, focuses on four pioneering artists 
       whose approach, often borrowed from other industries, 
       featured the use of synthetic paints and resins as well as
       industrial processes to create objects that are both 
       painting and sculpture. The author uses the methods of 
       technical art history to inform her investigation of 
       conservation issues associated with their work, thereby 
       illuminating challenges facing the conservation of 
       contemporary art in general."--Page 4 of cover. 
650  0 Minimal art|0http://id.loc.gov/authorities/subjects/
       sh85085702|zCalifornia|zLos Angeles|0http://id.loc.gov/
       authorities/names/n79021240|xHistory|y20th century.|0http:
       //id.loc.gov/authorities/subjects/sh2002006165 
650  0 Art, American|0http://id.loc.gov/authorities/subjects/
       sh85007537|zCalifornia|zLos Angeles|0http://id.loc.gov/
       authorities/names/n79021240|y20th century.|0http://
       id.loc.gov/authorities/subjects/sh2002012476 
650  0 Artists' materials|0http://id.loc.gov/authorities/subjects
       /sh85008309|zCalifornia|zLos Angeles|0http://id.loc.gov/
       authorities/names/n79021240|xHistory|y20th century.|0http:
       //id.loc.gov/authorities/subjects/sh2002006165 
650  0 Art|xTechnique|0http://id.loc.gov/authorities/subjects/
       sh85007506|xHistory.|0http://id.loc.gov/authorities/
       subjects/sh99005024 
650  0 Art|xConservation and restoration.|0http://id.loc.gov/
       authorities/subjects/sh85007476 
710 2  Getty Conservation Institute,|0http://id.loc.gov/
       authorities/names/n85199077|eissuing body. 
907    .b60670757 
945  8 |i31290033678921|a709.79494 RIVE|d001|st|lMBA|nVendor 
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945  8 |i31290033678939|a709.79494 Riv|d001|st|lCABK|nVendor 
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984    VU|cheld 
990    MARCIVE MELB 201906 
990    Uploaded to LA VU-B.D423 06/10/17 aci 
990    Vendor book load (pcat) 
Location Call No. Status
 UniM Bail  709.79494 RIVE    AVAILABLE
 UniM Southbank  709.79494 Riv    AVAILABLE