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LEADER 00000cam a22004454a 4500 
001    000040051551 
003    AuCNLKIN 
005    20140827193702.0 
008    030630s2004    nyu           000 0 eng   
010    2005284309 
019 1  40051551 
020    1400075157|q(paperback) 
035    (OCoLC)54858478 
035    .b64787072 
040    DLC|beng|cDLC|dDLC 
042    pcc 
050 00 ML3845|b.B27 2004 
082 00 780|222 
100 1  Barenboim, Daniel,|d1942-|0http://id.loc.gov/authorities/
       names/n81042605 
245 10 Parallels and paradoxes :|bexplorations in music and 
       society /|cDaniel Barenboim and Edward W. Said ; edited 
       and with a preface by Ara Guzelimian. 
250    1st Vintage Books ed. 
264  1 New York :|bVintage Books,|c2004. 
300    186 pages ;|c21 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
520    This fascinating exchange between Daniel Barenboim, Music 
       Director of the Chicago Symphony Orchestra and the 
       Deutsche Staatsoper Berlin, and Edward W. Said, the 
       leading expert on the Middle East, grew out of the 
       acclaimed Carnegie Hall Talks. A unique and impassioned 
       discussion about politics and culture, it touches on many 
       diverse subjects: the importance of a sense of place; the 
       differences between writing prose and music; the 
       conductors Wilhelm Furtwangler and Arturo Toscanini; 
       Beethoven as the greatest sonata composer; the difficulty 
       of playing Wagner; the sound at Bayreuth; the writers 
       Balzac, Dickens, and Adorno; the importance of great 
       teachers; and the power of culture to transcend all 
       national and political differences--something they both 
       witnessed when they brought together young Arab and 
       Israeli musicians to play at Weimar in 1999. Although 
       Barenboim and Said have very different points of view, 
       they act as catalysts for each other. The originality of 
       their ideas makes this a book that is both accessible and 
       compelling for anyone who is interested in the culture of 
       the twenty-first century. 
600 10 Wagner, Richard,|d1813-1883|0http://id.loc.gov/authorities
       /names/n79089831|xCriticism and interpretation.|0http://
       id.loc.gov/authorities/subjects/sh99005576 
600 10 Beethoven, Ludwig van,|d1770-1827|0http://id.loc.gov/
       authorities/names/n79107741|xCriticism and interpretation.
       |0http://id.loc.gov/authorities/subjects/sh99005576 
650  0 Music|xPhilosophy and aesthetics.|0http://id.loc.gov/
       authorities/subjects/sh85088808 
650  0 Music|xInterpretation (Phrasing, dynamics, etc.)|0http://
       id.loc.gov/authorities/subjects/sh85088799 
650  0 Music|xSocial aspects.|0http://id.loc.gov/authorities/
       subjects/sh85088891 
700 1  Said, Edward W.|0http://id.loc.gov/authorities/names/
       n79054179 
700 1  Guzelimian, Ara.|0http://id.loc.gov/authorities/names/
       n97870228 
907    .b64787072 
984    VU|cheld 
990    MARCIVE MELB 201906 
990    Uploaded to LA VU-B.D435 17/04/2018 aci 
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