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Book Cover
PRINTED BOOKS
Author Schoenberg, Arnold, 1874-1951.

Title Coherence, counterpoint, instrumentation, instruction in form = Zusammenhang, Kontrapunkt, Instrumentation, Formenlehre / by Arnold Schoenberg ; edited and with an introduction by Severine Neff ; translated by Charlotte M. Cross and Severine Neff.

Published Lincoln : University of Nebraska Press, [1994]
©1994

Copies

Location Call No. Status
 UniM Southbank  781 SCHO    AVAILABLE
 UniM Southbank  781 Sch /0086 acn.99391    MISSING
Uniform title Zusammenhang, Kontrapunkt, Instrumentation, Formenlehre. English
Physical description lxxii, 135 pages : illustrations ; 27 cm
Bibliography Includes bibliographical references (pages [131]-132) and index.
Contents Coherence -- Counterpoint -- Instrumentation -- Instruction in Form -- Appendix 1: Schoenberg's Indexes -- Appendix 2: A Table of Contents for Each Notebook of ZKIF -- Appendix 3: Two Bibliographic Lists Compiled by Schoenberg -- Appendix 4: A Comparison of Schoenberg's Lists and Rufer's Catalogue -- Appendix 5: A Comparison of Christensen and Christensen with Rufer and with Schoenberg.
Summary Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before.
Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories. Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.
Other author Neff, Severine, 1949-
Subject Music theory.
Composition (Music)
Instrumentation and orchestration.
Variant Title Zusammenhang, Kontrapunkt, Instrumentation, Formenlehre
ISBN 0803242301 (alk. paper)