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LEADER 00000nam  2200421 i 4500 
003    StDuBDS 
005    20171220133007.0 
006    m||||||||d|||||||| 
007    cr ||||||||||| 
008    171102s2017    nyua   fob    001|0|eng|d 
019    EDZ0001783925 
020    9780199355945|q(ebook) :|cNo price 
040    StDuBDS|beng|cStDuBDS|erda|epn 
050  0 ML430|b.D57 2017 
082 04 781.3|223 
245 00 Distributed creativity :|bcollaboration and improvisation 
       in contemporary music /|cEric F. Clarke and Mark Doffman. 
264  1 New York, NY :|bOxford University Press,|c2017. 
300    1 online resource :|billustrations (black and white). 
336    text|2rdacontent 
336    still image|2rdacontent 
337    computer|2rdamedia 
338    online resource|2rdacarrier 
490 1  Studies in musical performance as creative practice ;
       |vvolume 2 
500    Previously issued in print: 2017. 
504    Includes bibliographical references and index. 
520 8  Creative practice in music takes place in a distributed 
       and interactive manner embracing the activities of 
       composers, performers and improvisers-despite the sharp 
       division of labour between these roles that traditional 
       concert culture often presents. Two distinctive features 
       of contemporary music are the greater incorporation of 
       improvisation and the development of integrated and 
       collaborative working practices between composers and 
       performers. By blurring the distinction between 
       composition and performance, improvisation and 
       collaboration provide important perspectives on the 
       distributed creative processes that play a central role in
       much contemporary concert music. This volume explores how 
       collaboration and improvisation enable and constrain these
       creative processes. 
521    Specialized. 
588    Description based on online resource; title from home page
       (viewed on November 6, 2017). 
650  0 Composition (Music)|xCollaboration. 
650  0 Improvisation (Music) 
650  0 Music|y20th century|xHistory and criticism. 
650  0 Music|y21st century|xHistory and criticism. 
700 1  Clarke, Eric F.,|eeditor. 
700 1  Doffman, Mark,|eeditor. 
776 08 |iPrint version :|z9780199355914 
830  0 Studies in musical performance as creative practice ;
       |vvolume 2. 
856 40 |3Oxford scholarship online|uhttps://
       ezp.lib.unimelb.edu.au/login?url=http://dx.doi.org/10.1093
       /oso/9780199355914.001.0001|zConnect to ebook (University 
       of Melbourne only) 
990    Oxford Scholarship EBA Titles Rolled Over from Previous 
       Year 
990    Batch Ebook load (bud2) - do not edit, delete or attach 
       any records. 
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