My Library

University LibraryCatalogue


LEADER 00000cam a22006494a 4500 
003    OCoLC 
005    20150826071530.1 
006    m     o  d         
007    cr cnu---unuuu 
008    051101s2005    caua    ob   s001 0 eng d 
019    JSTORocm62196185 
020    9780520930643 
020    0520930649 
020    1423731344 
020    9781423731344 
020    9780520240285 
020    0520240286 
020    1598758039 
020    9781598758030 
037    22573/cttt1nr9|bJSTOR 
039    DO NOT EDIT OR DELETE THIS RECORD. Sent to MARCIVE. 
       Changes made will be lost. Metadata Team. 
040    N$T|beng|epn|cN$T|dOCLCQ|dN$T|dTUU|dOCLCQ|dOTZ|dOCLCO
       |dOCLCQ|dJSTOR|dOCLCF|dP@U|dDKDLA|dNLGGC|dOCLCO|dOCL
       |dOCLCQ|dADU|dE7B|dREDDC|dBAKER|dYDXCP|dOCLCQ|dCOO|dEBLCP
       |dIDEBK|dMHW|dOCLCO 
049    MAIN 
050  4 ML172|b.B43 2005eb 
082 04 780/.9/02|222 
100 1  Berger, Anna Maria Busse. 
245 10 Medieval music and the art of memory|h[electronic 
       resource] /|cAnna Maria Busse Berger. 
260    Berkeley :|bUniversity of California Press,|c©2005. 
300    1 online resource (xvi, 288 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references (pages 255-279) and 
       index. 
505 0  Prologue : the first great dead white male composer -- The
       construction of the memorial archive -- Tonaries : a tool 
       for memorizing chant -- Basic theory treatises -- The 
       memorization of organum, discant, and counterpoint 
       treatises -- Compositional process in polyphonic music -- 
       Compositional process and transmission of Notre Dame 
       polyphony -- Visualization and the composition of 
       polyphonic music. 
520 8  Asking such fundamental questions as how singers managed 
       to memorise such an enormous amount of music and how music
       composed in the mind rather than in writing has affected 
       musical style, this text explores the impact of the art of
       memory on the composition and transmission of medieval 
       music. 
650  0 Music|y500-1400|xHistory and criticism. 
650  0 Music|y15th century|xHistory and criticism. 
650  0 Composition (Music)|xHistory. 
650  0 Memory. 
655  4 Electronic books. 
655  7 Electronic books.|2local 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
655  7 History|2fast|0(OCoLC)fst01411628 
710 2  JSTOR|eissuing body. 
776 08 |iPrint version:|aBerger, Anna Maria Busse.|tMedieval 
       music and the art of memory.|dBerkeley : University of 
       California Press, ©2005|z0520240286|w(DLC)  2004016542
       |w(OCoLC)55981645 
830    Books at JSTOR All Purchased 
856 40 |uhttps://ezp.lib.unimelb.edu.au/login?url=http://
       www.jstor.org.ezp.lib.unimelb.edu.au/stable/10.1525/
       j.ctt1pp6pg|zConnect to ebook (University of Melbourne 
       only) 
990    JSTOR purchased ebook 
990    Batch Ebook load (bud2) - do not edit, delete or attach 
       any records. 
990    Sent to MARCIVE 20190531 
Location Call No. Status
 UniM INTERNET resource    AVAILABLE