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LEADER 00000nam a2200349 a 4500 
001       97001136 
008    970203s1997    nyua     b    001 0deng   
010    97001136 /MN 
019 1  13081071 
019    97001136 
020    1878822772|q(alk. paper) 
035    .b22884269 
043    e------ 
050 00 ML3580|b.L5613 1997 
082 00 781.62/0094|221 
100 1  Ling, Jan,|d1934-2013.|0http://id.loc.gov/authorities/
       names/n82011070 
240 10 Europas musikhistoria.|lEnglish|0http://id.loc.gov/
       authorities/names/n97011785 
245 02 A history of European folk music /|cJan Ling ; translated 
       from the Swedish by Linda and Robert Schenk. 
264  1 Rochester, N.Y. :|bUniversity of Rochester Press,|c1997. 
300    249 pages :|billustrations ;|c26 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 225-245) and 
       index. 
505 0  Introduction: What Do We Mean By Folk, Folk Song, and Folk
       Music? -- 1. In Search of "The Songs of the People" -- 2. 
       Music at Work -- 3. Melodies Marking the Pendulum of Life 
       and the Changing Seasons -- 4. "Bursting into Song" (I): 
       The JOJK, Narrative Song, and Ballad -- 5. "Bursting into 
       Song" (II): The Lyric Song and the Hymn -- 6. The Playing 
       of Folk Music (I): Spontaneous Sound Makers, Acoustic 
       Working Equipment -- 7. The Playing of Folk Music (II): 
       The Transformation of Musical Instruments -- 8. The 
       Playing of Folk Music (III): Musical Instruments for the 
       People -- 9. Folk Music Ensembles -- 10. Movement and 
       Dance, Song and Instrumental Music -- 11. Folk Music 
       Between Town and Country -- 12. European Folk Music: A 
       Uniform Diversity. 
520    The aim of this study is to increase the reader's 
       understanding of folk music within an historical, European
       framework, and to keep the genre alive as a dynamic and 
       changing artform. The book addresses a plethora of 
       questions through its detailed examination of a wide range
       of music from vastly different national and cultural 
       identities. It also attempts to elucidate the connections 
       among and the development of contemporary folk music 
       across Europe, firstly by examining the ways in which 
       scholars of different ideological and artistic ambitions 
       have collected, studied, and performed it, then by 
       investigating the relationship between folk and popular 
       music. This book will serve well as either a textbook for 
       upper-level, undergraduate courses or as a research tool 
       for postgraduate study. Ethnomusicologists will also have 
       a distinct interest in the opinions postulated and 
       examined herein. 
650  0 Folk music|zEurope|0http://id.loc.gov/authorities/subjects
       /sh2009124461|xHistory and criticism.|0http://id.loc.gov/
       authorities/subjects/sh99001187 
907    .b22884269 
984    2015|cheld 
990    MARCIVE MELB 201906 
Location Call No. Status
 UniM Southbank  781.620094 LING    AVAILABLE