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Author Poole, Deborah.

Title Vision, race, and modernity : a visual economy of the Andean image world / Deborah Poole.

Published Princeton, N.J. : Princeton University Press, c1997.


Location Call No. Status
 UniM Bail  305.800980222 POOL    AVAILABLE
Physical description xiv, 263 p. : ill. ; 25 cm.
Series Princeton studies in culture/power/history
Bibliography Includes bibliographical references (p. [239]-251) and index.
Contents Ch. 1. Introduction -- Ch. 2. The Inca Operatic -- Ch. 3. An Economy of Vision -- Ch. 4. A One-Eyed Gaze -- Ch. 5. Equivalent Images -- Ch. 6. The Face of a Nation -- Ch. 7. The New Indians -- Ch. 8. Negotiating Modernity.
Summary "Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of "racial difference." While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this "scientific" or "biological" discourse of race cannot be understood outside a modern visual economy.
Although the book specifically documents the depictions of Andean peoples, Poole's findings apply to the entire colonized world of the nineteenth century."--BOOK JACKET.
Subject Visual anthropology -- Andes Region.
Photography in ethnology -- Andes Region -- History.
Indians of South America -- Andes Region -- Pictorial works -- History.
Race -- Pictorial works -- History.
ISBN 0691006466 (CL : acid-free paper)
0691006458 (PB : acid-free paper)