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LEADER 00000nam a2200373 a 4500 
001       95138127 
008    941129s1995    hu a     b    001 0 eng   
010    95138127 
019 1  11353124 
019    bnc85866012 
020    1858660122|q(paperback) 
020    9637770208|q(hardback) 
035    .b22119449 
041 1  eng|hhun 
043    e-gw--- 
050  4 N332.G33|bB44413 1995 
082 00 707/.1/143224|220 
100 1  Forgács, Éva.|0http://id.loc.gov/authorities/names/
       n94059237 
240 10 Bauhaus.|lEnglish|0http://id.loc.gov/authorities/names/
       n95038127 
245 14 The Bauhaus idea and Bauhaus politics /|cÉva Forgács ; 
       translated by John Bátki. 
264  1 Budapest ;|aNew York :|bCentral European University Press 
       ;|aNew York :|bDistributed by Oxford University Press,
       |c1995. 
300    ix, 237 pages :|billustrations ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 223-230) and 
       index. 
505 0  1. The Beauty of Progress -- 2. Time out of Joint -- 3. 
       'We Shall Draw Grand Designs...' -- 4. First Steps -- 5. 
       Weimar -- 6. Breathing Exercises -- 7. Time -- 8. New 
       Faces -- 9. If We Intend to Survive -- 10. The New Unity -
       - 11. Man at the Control Panel -- 12. The Part Versus the 
       Whole -- 13. Why did Gropius Leave? -- 14. Hannes Meyer --
       15. Parallel Fates? Weimar, Dessau and Moscow -- 16. 
       Endgame -- Epilogue: Liberalism's Utopia. 
520    In this highly original book. Hungarian art historian Eva 
       Forgacs examines the development of the Bauhaus school of 
       architecture and applied design by focusing on the idea of
       the Bauhaus, rather than on its artefacts. What gave this 
       idea its extraordinary powers of survival? Founded in 1919,
       with the architect Walter Gropius as its first director, 
       the Bauhaus carried within it the seeds of conflict from 
       the start. The duration of the Bauhaus coincides very 
       nearly with that of the Weimar Republic; the Bauhaus idea 
       - the notion that the artist should be involved in the 
       technological innovations of mechanization and mass 
       production - is a concept that was bound to arouse the 
       most passionate feelings. It is these two strands - 
       personal and political - that Forgacs so cleverly 
       interweaves. 
520 8  The text has been extensively revised since its original 
       publication in Hungarian, and an entirely new chapter has 
       been added on the Bauhaus's Russian analogue, VkhUTEMAS, 
       the Moscow academy of industrial art. 
610 20 Bauhaus|0http://id.loc.gov/authorities/names/n81023070
       |xHistory.|0http://id.loc.gov/authorities/subjects/
       sh99005024 
907    .b22119449 
990    MARCIVE MELB 201906 
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