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PRINTED BOOKS
Author Henisch, Bridget Ann.

Title The medieval calendar year / Bridget Ann Henisch.

Published University Park, PA : Pennsylvania State University Press, [1999]
©1999

Copies

Location Call No. Status
 UniM ERC  529.3094 HENI    AVAILABLE
Physical description viii, 232 pages : illustrations (some colour) ; 24 cm
Bibliography Includes bibliographical references (pages 223-226) and index.
Contents 1. In Due Season 1 -- 2. Winter; By the Fireside 29 -- 3. Spring; The Private Garden 51 -- 4. Summer; Sheep and Shepherds 85 -- 5. Autumn; The Harvest 107 -- 6. Calendar Child 135 -- 7. A Woman for All Seasons 167 -- 8. Pain into Pleasure 197 -- Appendix Calendar Page Decoded 215.
Summary The Medieval Calendar Year celebrates the pictorial convention known as "The Labors of the Months" and the ways it was used in the Middle Ages. Richly illustrated and elegantly presented, it provides valuable insights into prevailing social attitudes and values and will fascinate all readers who are interested in the history and culture of medieval Europe.
The "Labors" cycle was most popular during the High Middle Ages (ca. 1200-1500). The traditional cycle depicts the year as a round of seasonal activities on the land. Each month has its allotted task, and each of these represents one stage in the never-ending process of providing food for society. The small scenes that made up the cycle were well-known and used widely throughout Europe. They were chosen to decorate both public and private spaces: churches and houses, town fountains, baptismal fonts, as well as books of devotion intended both for priests and for the laity. The cycle was sculpted in stone, carved in wood, painted on glass and on manuscript pages. Examples from such media axe described, but most of the illustrations have been taken from manuscripts, primarily Books of Hours.
The author has spent the past fifteen years studying calendar after calendar, and one of her great strengths is her ability to see the social reality that lies hidden, even masked, behind the stylized presentation. In the chapter on winter, she shows how the image of this season, dreaded in the Middle Ages, was softened and sweetened by calendar artists to bring it more into harmony with the characteristic mood of the cycle as a whole. For autumn, she reveals how depictions of the harvest of grain, grapes, and livestock hint at a sophisticatedmarket economy. Thematic chapters on children, women, and the hardship of work brilliantly cut through idealized conventions and assumptions to unveil the underlying complexities of life.
The "Labors" cycle and its social context have not hitherto been examined in depth and with the care they deserve. The Medieval Calendar Year is a book worthy of the beautiful and beguiling tradition it describes.
Subject Calendar -- Europe -- History -- To 1500.
Calendar art -- Europe -- History -- To 1500.
Civilization, Medieval.
Social history -- Medieval, 500-1500.
Seasons -- Social aspects -- Europe -- History -- To 1500.
Europe -- Social life and customs.
ISBN 0271019034 (cloth : alkaline paper)
0271019042 (pa. : alkaline paper)